Aimless rituals and shortlived romances
Éric Rohmer, the French New Wave’s most prolific and beloved filmmaker’s first and only novel Elisabeth featuring witty banter, lust, ennui and an undercurrent of violence underlie a seemingly paradisiacal summer on the eve of World War II. Fifteen years before completing his first feature film- and ten before beginning a transformative editorial stint at Cahiers du cinema that would usher the journal, and French cinema, into a new era – the man who would become known worldwide as Éric Rohmer published a single novel. Released byÉditions Galimard alongside the early works of Claude Simon and Marguérite Duras, Élisabeth was … Continue reading Aimless rituals and shortlived romances
