Mimetic anonymity voice control
Trained as a Soprano for music theatre in the 1990s, at a stage school in New York, she learnt to control her voice into mimetic anonymity to fit the female characters of Walt Disney films and Broadway musicals. Mastering the problem of her vocal break the passaggio the yodel-ish sound that happens to everyone when their voice moves register, from chest to head was critical for stamping out individuality in her voice. In Vocal Break, Lauren Elkin seamlessly blends memoir, feminist manifesto and cultural history to explore a plurality of female singing voice- and how women have used them to defy convention, … Continue reading Mimetic anonymity voice control
