Guilt and regret
Fila, a protagonist of Michelle Steinbeck’s Favorita, receives an anonymous phone call from Italy telling her that her mother Magdalena is dead, her instinctive feeling is one of relief. Fila hasn’t seen her in years, not since she disgraced their family by advertising her brothel in the newspaper. Fila is already unmoored by the recent death of her grandmother Lavinia, who raised her. In Lavinia’s kitchen in Switzerland Fila now sits, listening to the voice on the “mortadella-coloured rotary telephone” that says “they say it’s because of her liver, but I can assure you that it was not her liver… … Continue reading Guilt and regret
